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Hutchings might have three distinct projects, but they are also part of one ongoing conversation. It engages directly with issues of race and identity on the other side of 2020, but also on the other side of centuries. It is another vital piece of music from Hutchings’ universe, one that continues to challenge genre constrictions and expand what Sons Of Kemet can be.
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And Black To The Future succeeds in every way you would hope and expect it to. Hutchings’ albums are often densely narrative at the same time that they are urgently political, which also makes it relevant that Black To The Future is the first album he’s made in the wake of last year’s resurgence of BLM protests in the wake of the killing of George Floyd. Hutchings, with his web of entrancing and exciting albums under each of these three projects, has now done the same.Īll of which is to say, Sons Of Kemet’s new album Black To The Future arrives to some pretty high expectations: the next step within the Kemet chronology, the first full-length Hutchings is releasing since Shabaka And The Ancestors’ similarly acclaimed 2020 release We Are Sent Here By History. In the last decade, we’ve seen some interesting plot twists in the world of jazz, with artists like Christian Scott and Kamasi Washington not only pushing the limits of that genre, but breaking into a more mainstream consciousness. It garnered them a Mercury Prize nomination and brought a lot more attention not only to Kemet, but to Hutchings and the entirety of the London jazz scene. Your Queen Is A Reptile was the third Sons Of Kemet album but their first for Impulse!, the label Hutchings signed all of his projects to. Then there’s Sons Of Kemet, his longest-running and perhaps most acclaimed project, who we last heard from in 2018, when they released Your Queen Is A Reptile. There’s the Comet Is Coming, the psychedelic space voyage trio he has with Dan Leavers on synths and Max Hallett on drums. There’s Shabaka And The Ancestors, in which he collaborates with South African jazz musicians. Hutchings is incredibly prolific, constantly putting out one release or another with one of this three projects. And in that timeframe, Shabaka Hutchings has often been positioned as the luminary and center of the scene, and understandably so. In the last several years, much has been said about a vibrant new jazz scene cohering in London.